丰丰：家庭派对

如果把艺术比作是沟通的语言，那就像狮子和老虎使用的语言，像是“嗷嗷”或者“嗷呜”；若是将其比作行动的方式，就像四肢着地爬行，像猫猫狗狗那样使用器官和身体。

丰丰一直以来试图从事一种非意向化和非母题化的艺术实践，并以人造现成品为主要的创作材料。在艺术实践中，他尝试将这些物质材料重新生成，让现成物的材料和内容从固有的符号系统解放。艺术家使“分子”在流动的过程里与每种可能的风景性、图画性与音乐性形成真正的多元。

If we compare art to the language of communication, it is like the language used by lions or tigers, like "ow" or "ow"; if we compare it to the body movements, it might be like crawling on all fours, applying organs and bodies like cats and dogs.

Fengfeng has been trying to engage in non-signifying and non-subjective art practice. He brings readymade objects as the main creative material. He attempts to reproduce these materials in his artistic practice, freeing them from the regime of signs and its semiotic system. The artist attempts to create true multiplicities by forming the material-particles set in motion with a freed trait of landscapity, pictoriality, or musicality.